Weekly Round-Up: Pop Culture and Fashion Moments On Our Radar | Grazia India

The Naked Dress, Re-Archivalized

The Peacock Theater's carpet on June 28 made one thesis unavoidable: transparency has become the new signature, and provenance is its loudest accessory. Doechii, collecting the BET Her award, appeared in a crocheted halter gown pulled from Dsquared2 Spring 2006 — espresso-tinted, see-through to the waist, with cut-outs plunging to match. Stylist Sam Woolf's sourcing reads as a direct rejoinder to last year's Miu Miu bandana moment, and an even more pointed answer to Zendaya's ongoing archival curriculum. The silhouette belongs to a pre-influencer era; on Doechii it functions as protest.

Keke Palmer continued her Gucci streak with a $10,500 one-shoulder crystalized dress whose open back resolved in a chainlink thong — a deliberate inversion of the belly-chain minimalism that defined her Vanity Fair Oscar Party look. Lizzo claimed her own coronation in a sleeveless, semi-sheer chocolate chiffon slip by Christian Cowan, the corsetry blinking into view only on inspection. Cardi B, characteristically absent from the carpet, surfaced in a velvet-and-lace black gown with a feathered train upon accepting Female Hip-Hop Artist of the Year. Teyana Taylor, accepting the Fashion Vanguard award, opted for Stéphane Rolland Spring 2026 Couture — burgundy-dyed taffeta, strapless corset, a headband engineered to defy physics. Jodie Turner-Smith closed the evening in a halter Roberto Cavalli Pre-Fall 2026, accessorized with fingerless opera gloves. The through-line is restraint abandoned in favor of craft, cut, and lineage.

The Calendar's Quiet Comebacks

Sabyasachi Mukherjee will walk New York Fashion Week this September for the first time in nearly two decades, presenting Spring/Summer 2027. The runway follows his 2022 New York flagship — a multi-million-dollar anchor of his international expansion — and positions him within a luxury market now actively courting South Asian provenance. London, meanwhile, stages its own historical correction: Mulberry returns to the LFW schedule after a six-year hiatus, with Christopher Kane unveiling his debut ready-to-wear collection as creative director. RTW has been absent from the house since 2020. Kane's avant-garde vocabulary, transplanted onto a heritage British leather house, is the season's most-watched stylistic negotiation.

Brand Mythology, In Miniature

Mattel has translated Miley Cyrus's custom vintage Alaïa — the hooded gold leather look from her "Golden Burning Sun" video — into a Barbie Signature doll, complete with a microphone Cyrus reportedly insisted upon as a symbol of her artistry. The object is kitsch elevated to artifact, and it confirms Cyrus's transition from pop provocateur to cultural institution. Separately, Valentino Beauty named Dakota Johnson and Alexander Skarsgård as global ambassadors under L'Oréal Luxe; Johnson returns to a house she has long frequented, while Skarsgård joins for the first time. Georgina Rodríguez, meanwhile, enters the athleisure market with Mimoa — a Dubai-based, direct-to-consumer label with a 27-piece debut collection manufactured in Turkey, engineered for the workout-to-paparazzi commute.

The week's verdict, then, is one of accumulation: vintage pulled from the archive, heritage pulled from hiatus, and personal mythology compressed into plastic. The longevity of any single look is, as ever, beside the point. The point is that fashion now insists on knowing where each garment has been.